The post World War II Japanese dance theatre form, Butoh, is traditionally performed in white body make-up. Slow controlled movement, body tension and muscular involvement may rely on elaborate visualizations, a certain state of mind or feeling, visceral cues or spiritual content. Shinka, directed by Yoshiko Usami and presented by RenGyoSoh assumes the framework of Butoh […]
The post SHINKA (Capital Fringe review) appeared first on DC Theatre Scene.